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Soyara

Amir is finding love and the relationship between his father and he is becoming so beautiful.  From what I understand, about Afghani marriages, they are arranged by the parents.  Negotiations are made regarding the amounts and kinds of gif6ts to be exchanged between the families.  The groom’s family pays a “bride-price: and the bride’s family pays a dowry.  There is traditionally a tea and sweet ceremony, called a Promising Ceremony,” where the groom’s families’ women serve tea in the ceremony and then send the empty tray is filled with money and taken to the bride’s family.  The engagement is then announced.

Weddings are typically three day’s long and the groom’s family is responsible for the costs.  The first day is a time for the two families to get to know one another.  The second day, the groom leads a procession on horseback and musicians and dancers follow him around the streets.   On the third night is the wedding ceremonial signing of the marriage contract in front of witnesses.

The move to America has changed some of the traditional aspects of courtship and weddings in the American Afghani culture, for some.  They still forge connections between the two families.  As the negotiations for Amir and Soraya come to an end, Amir is told that Soraya needs to talk to him.  “I don’t want to start with secrets.” She reveals that she is not a virgin; in fact, she is much like Hassan’s mother, a woman who ran away with another man.  To make it even more parallel, her mother had a stroke because of it and she says, “I felt so guilty”.  (p173)

The deeper introduction to Soraya and the ceremonial aspect, helps us understand the role of traditional Afghani women and Soyara seems to stand for the American Afghani women.  What is auspicious is her treatment from the Afghan community that highlights that the double standards, in the traditional culture is still very much alive in the American Afghani culture and that it applies to men and women in that community.

Amir understands guilt well, of course and thinks, “How could I, of all people, chastise someone for their past?… I envied her.  Her secret was out…”  I suspected there were many ways in which Soraya Taheri was a better person than me.  Courage was one of them.”  (p174)   He is moving away from his denial.  He is opening the door for his atonement.  He realizes he is not the only one with regrets.  The Reader begins to exhale for Amir.

By becoming aware of Soraya’s past, Amir is forced to learn that he is not the only person with regrets. In other words, Amir gains some humanity and perspective in this passage, contributing to his eventual redemption. There is a way to be good again.  He is beginning. The reader knows….the reader knows…we can not…how could we?

An ATC A Day For August

“O Great Creator of being grant us one more hour to perform our art and perfect our lives.’ - Bob Marley

Artist Trading Cards are 3.5″ x 2.5″ mini wonders of art!, because of their small size they are very addictive to make and a fantastic collectors item!  There are no technical rules except one– the size– they MUST measure 3.5 by 2.5 inches (The size of regular Playing Card but I usually use card stock or cardboard.) But, a major rule is that to be true ATC’s, they should never be sold, they are only traded.  The sky is the limit and anything is acceptable.. You can use any material that you feel like and any paint, magic marker, rubber stamps, glitter, watercolor, whatever strikes your fancy. You can use any technique and creative artistic expression you choose.  Sign them on the back along with the date the card was made and if possible your email address. It is best not to have them too thick.  Most should fit in a card sleeve protector (you can get them at Wal-Mart at the sports card section.) Want to join?  Want To swap?
Flkr is a free place to post your work, if you like.  You can get as totally obsessed as you like, but beware, they are an obsession.
Creative Companion site:  http://www.cedarseed.com/air/atc.html

1. watercolor on newsprint
2. Using Gesso for texture
3. Creative Spirit
4. Making paper look like metal
5. Material and stitching
6. sequins
7. Sumi Brush Strokes
8. quote inspired
9. Moon and ME
10. flowers or weeds
11. Mixed Media - Landscape
12. Sculpted Embellishments
13. Pen and Ink
14. Garden Harvest
15. Music
16. Rust - http://www.amstamps.com/distressed/rust.html
17. Paint and Vaseline Project - to get interesting textures.
18. Watercolor and Pen
19. Different Shaped ATC
20. Torn
21. Built Around A Barcode
22. Including Text
23. Favorite song Themed
24. Gift Wrap Alteration
25. Woman Them
26. Net
27. Texture
28. Wire
29. Hair
30. Corrugated Cardboard Backing
31. Because it is August and thirty-one days - do Soul

New Technique to me: See where I am going to try this - 17

1.  Take a shiny card or picture, or a computer printed image coated with Clear Gesso.
2. Using a tiny amount of Vaseline cover just the center of your picture.
3. Brush paint over the entire card, picture, or image. Be careful not to move the Vaseline as you paint over it. A sponge brush and dabbing motion is a great way to apply paint.
4. Set aside to dry.
5. Once image is dry, gently rub off the center paint.
6. Use your finger to scratch around the edges of the area for an interesting texture.

 

You can see examples of some of my work on my Flk site you can reach by clicking on the side bar.

This Dark Night

In Afghanistan, the darkest night of the year is called yelda.  It was tradition to stay up late and tell stories.  But this yelda is different for Amir.  He has a chance at a new beginning since he has a new kind of love in his life.  He has even told Baba.    Hosseini relies heavily on the symbolism of the new dawn, but the reader is wondering if this is another way for Amir to run away.  It is 1985, Amir has aced his generals college classes and he helps his father in the flea market, perhaps just to spend more time around his new love.

Baba reminds Amir to be true to the pride and honor of Pashtan ways with women. “Just don’t embarrass me…” he says.   (P153)    The market is a known place for gathering gossip, so Amir needs to be careful.  The reader knows this through the narration.  But there are subtleties added, for instance, if Amir asks Soraya a direct question,  and she answers, then , “we’d be chatting….this was teetering dangerously  on the verge of gossip material…I was not fully aware of the Afghan double standard  that favored my gender… by Afghan standards, my question had been bold.” (P154-155)  She answers, and Amir finds out they are related.  Ah…yes, one can marry one’s cousin in Afghan’s tradition.  Another visit with Soraya and her father happens upon them and it is not a good thing.  Soraya is sullied by Afghani standards, already.  He says to Amir, “You are a decent boy, I really believe that but…. Even decent boys need reminding some times.” (p161)  The relationship’s ardor is cooled because Baba gets ill.  Sometimes dark nights are not finished until there is a bit more darkness.

Amir thinks, “I wanted to ask him [the doctor] how I was supposed to live with that word “suspicious,” for two weeks.  How was I supposed eat, work, study?  How could he send me home with that word?” (p163)  Knowing Hosseini as well as I do now, I know that this is important to the whole story.  It is setting me up, I think, to become more suspicious, to look at what is going on, more closely…perhaps even go back and do some rereading.

Another phrase that stands out, “It turned out that, like Satan, cancer had many names.” (p164)   Ah, monsters, with many names.

What is positive is that the relationship between Amir and Baba immediately changes.  “I remember that period as a time of many “firsts…” (p166)  and then Baba has a seizure and Amir says, “Shhh, Baba jan, I’m here.  Your son is right here.” (o167)

Another phrase immediately sticks out in this chapter:  “You shouldn’t have burdened yourselves.  All of you …” he says to his visitors.  (p168)  Baba recovers enough to go home and when Amir lifts him up he describes Baba:  “His shoulder blade felt like a bird’s wing under my fingers.” (p170)  Baba is wounded in more than just this, methinks.

Baba tells Amir to go and ask General Taheri for his daughter’s hand.  As they prepare to go to Taheri’s, Amir thinks of “all the empty spaces Baba would leave behind when he was gone, and I made myself think of something else.” (p171)  Amir knows about empty spaces people can leave behind.  It requires the reader, who is totally involved by now, to think of some of their own empty spaces.

We all have those times that are dark; some darker than others.  We feel alone.  I am reminded of a story that really made me understand aloneness…..We all know who mother Theresa was…and what she was to the world.  Yet, in a letter to a spiritual confidant, the Rev. Michael van der Peet, she wrote about being  weary of a familiarity with a different view of Christ; an absent one. “Jesus has a very special love for you,” she assured Van der Peet. “[But] as for me, the silence and the emptiness is so great, that I look and do not see, - Listen and do not hear - the tongue moves [in prayer] but does not speak … I want you to pray for me - that I let Him have [a] free hand.”

Is it a part of human experience…that every human being has these times?  Do we honor those empty spaces, or do we go on forever longing for some fulfillment, some filling, of those places?  I have empty spaces, indeed…holes in my soul where people and places used to reside.  I have grown used to them though and I honor them, then step around them.  Like crying, for me, if I ever sunk into them, I may never stop.  I am careful about time and space and place when I honor them.  I believe that they have the ability to grab hold and keep me in that place of despair and loneliness.  I can not imagine those dark places of those who have, and are, truly suffering.

Life Goes On….and are we collecting some betrayals to Thou Shalt Nots?

artwork by Lucy Fern

When Amir is twenty-one (Hosseini helps us keep track of time, because often, in Amir’s view, it just trudges on without counting), Baba is running a booth at a Flea Market and on Saturdays Amir and Baba go to Flea Markets to search for things they can sell in San Jose.

There are neo-Afghani additions to culture, for example, “There was an unspoken code of behavior among Afghans at the flea market:  You greeted the guy across the aisle from you…invited him for a bite of food…offered condolences and congratulations, shook heads over Afghanistan…avoided talking about the garage sales because ‘you’d nearly blindsided’ him to get to the garage sale first… tea and gossiped.”  (p145 - 146)

Amir comes upon Baba talking to an old friend from Afghanistan, General Taheri, and the men give each other great compliments.  Both men seemed weighed down by life:  Taheri gives “a sad and polite smile, heaved a sigh and gently patted Baba’s shoulder…”Life goes on.” (p147)

Amir meets Taheri’s daughter and just the way he describes her, you know she is the One!. (p148)  He and Baba speak of her, later, and we find out that there was a ‘story’ that had gone around about her.  There had been a man once…things didn’t go well…she is decent and hardworking…had no suitors…”  The reader knows she is a tarnished Afghani girl.  (p149)

Baba says something very telling, important, and the reader gets it, even if Amir does not:  “It may be unfair, but what happens in a few days, even a single day, can change the course of a whole lifetime, Amir.” (p150)  The reader knows, oh, doesn’t the reader know, not just about the characters in the book, but in their own life.  We can all reach back and know that few days, that single day.  The plot twists and there are further and deeper revelations.  The reader dare not pay attention to every word.  The writing is not difficult, even with the language insertions for Afghani terms, and the story becomes dearer and more personal to the reader in such instances as these few pages.  Some of the reader’s angst against Amir has been forgiven, I feel.  It is a story about love, betrayals, friendship, and, we hope…redemption.  We want redemption for Amir for then, perhaps there is a chance for us, too.

We had a discussion last evening, in our group, about what Eckhart would say about redemption/atonement.  Do we even need to atone for things of the past?  I know that I believe we do.

If that person we feel we transgressed against is still alive, it needs be done:  For us, not for them, necessarily.  I know that Christian ethics says we must go to that person and make it right.  But, perhaps that person does not want it right and it might only get worse.   There are schools of thought that say that we should express sorry to the person we feel we have offended, or that feels we have offended them, and just let the ball rest in their hands as to whether they forgive us or not.  There are just some things we can not fix with others, and so it behooves us to do it through a mediator of sorts; Creator, a gift out into the world, a sweat … any way we can forgive ourselves for it, other than denial and righteous indignation.  We have to let it go whether they do or not.  Yes, approach that person if they are approachable.  Write a letter, send a gift and a note, and meet face to face.  But in the end, it does not matter as much if they say they forgive you.  You cannot change what has happened.  The only thing you can change is that you right it however you can.

If the person is dead that we have to atone to, still, we must atone.  How do we do this and yet stay in the NOW?  When a memory comes, that we feel we need atonement for,  I feel we should immediately, in that moment, atone for it in however way we can.  I choose to honor that person, do something for the world, forgive ourselves, and then let it go.  How life would have been better if I had not collected things I needed to atone for.  We have choices.  I have made the awakened choice to pay attention to when I feel regret, guilt, shame, and honor that sense of soulful chastisement.  Light a candle, say a prayer, whisper to a butterfly, do something that is the opposite choice than the one we made, for someone else.  It matters not a whit to the one we feel we transgressed anymore.  But, it matters to us.  We need to do something for ourselves so we can let it go.  Atonement is not for the other person; the one we feel sorrow for transgressing against.

What about those times we have insulted or hurt others and not even realized what we have done, or that we have done so?  Are we responsible for those things, as well?  Do they come back to haunt us?  I think not… if we have hurt someone unbeknownst to us, it is their burden to come and speak to us, or forgive us in their own way so they do not have to carry it.  Forgiveness has to be in the moment of knowing.  If we do not know, how can we correct that ‘Something’?  Even if we do try to correct it, it is up to that person to forgive … or not.

Then there is the aspect of grudges and resentments that we carry for those who we feel have transgressed against us.  If we want a Creator who forgives us, then must we not forgive too?  Imagine if Creator carried resentments like beady little peas under his mattress?  And, that he carried them eternally?  I dump my stuff as fast as I can.  I have need of atonement and forgiveness…perhaps every day, for something or other.  It is said, even our thoughts send out ripples.  Man, if Creator holds things, then he is carrying a great deal against me…his burdens must be very great.  But, since I d not believe he does, could not, would not, then I should not either.  If I have faith in redemption and atonement; if I truly believe this, then I must find ways…soulful ways…to come to a sense of having made things as right as I can, in the moment that the memory of feeling comes.  I have to de-clutter my life, so I can live in the now and feel, right to my core, that I am forgiven my humanness and I have forgiven others theirs.

The aspect of sin, as is discussed in the book, The Kite Runner, tells us that the main sin is “Theft”… that every Commandment has to do with theft.  “Thou shalt nots”…. But what if thou hast?  Make it right in the moment, however you can, because it is within that forgiveness resides.  Offer it up to Creator, for there, I have faith, it will be taken care of.

**The painting I have used is done by Lucy Fern, of Fond du Lac, my Teaching Assistant, my sister.  She is an incredible artist and her paintings she has given me as gifts are spiritually and soulfully driven.  Each one speaks to me about something between me and my Creator.  This one is called, “Honor The Sacred Child.”  In this instance, it means to honor those things we may have done and feel need atonement, and offer it up to Creator to solve.

My First Woman

Front View

Right Side

back view

left side

I have begun working with the antique thread spools given to me by a man who said he would like to see what I could do with them.

I used a ceramic head, recycled leather for the dress and arms;   I added beads and red hawk feathers. I have two more to work with.  She stands alone since the base is just right for it.  I left the base in its original form for the bottom.

I can see that I can make something new out of something old, indeed.