Entries Tagged as 'Pot Of Thoughts'

Exercise 1.1 I like the way I choose to look

If The Shoe Fits – Wear It
These are my boots.  Harley Davidson, high-top, laced
with ties that do not always remain done up.  Symbols,
of need to be well-shod, in my own style.
Once upon a rickety feet, brown oxfords
bent the feminine to braces, holding stiff
need to wander freely.  Patent shoes, well-wished for
finally fitted quad arches; flopping loosely,
in a D Wide shoe.  Ballet shoes, pink,
thunking toe for twirling and dreaming
to “In My Sweet Little Alice Blue Gown”; being a Princess
for an evening in eyes of a borrowed audience.
Gumboots for riding ditch raft made of an old door,
slanting precariously, gripped pole, pulling myself forward.
Thongs, slapping beach with marks of having been there.
Four-inch heels typing across a stage, ending youth
with the exclamation point of a near slip.
A practical pair of running shoes, times seven,
for chasing after my careening children.
Then, to my mother’s joy, a good pair
of sensible shoes; brown, suede, gel insert
for standing in the halls of education.
Now, moccasins, fresh from the hide,
tanned, hand-sewn to fit the foot exactly.
Moccasins, thin-soled, feeling Mother Earth
sigh when I walk.  Big boots for stomping out voices.
My shoes of my walk; my soul walk.

Women, Men and the Pots Symbolism

A woman is a vessel. She is co-creator. She is a direct link to the Creator/creating. The women that I do symbolize the open woman living, being, becoming, allowing the emptiness of Self to reflecting the light of Creator/Christ/God, by whatever name you call that Omnipresent LOVE. That she creates pots signifies the emptying of “life-on-earth” things to allow for spirit in life. It also symbolizes the need for sorting through life’s experiences in order to sift the seed from the chaff and storing those strengths and truths, the faith and hope incidents: Those incidents of AWE, for a time when they are needed by either the woman, or the women, or the world.

Men relate to the woman/women, in that they are the support and gathers of the clay (the purpose that we will be molded in to). It is through us that they are connected to life itself, here on earth. By sharing our bodies, our homes, our lives, our thoughts, our incidents of awe, they become a partnership in the light we become. We could not do it without them. They brace/protect us, they feed us, they remind us of our femininity, they remind us of our sacrifices and our help us in delivering our potential to the world. They are sacred to us, as spiritual partners in fulfilling our role to the world and for the world.

The pots, the woman knows. She decides what it is that fits her purpose to fulfill her sacred destiny. She is gifted with a sixth sense that speaks to her of the kind of clay, the colors, the shapes, the textures that are worthy of holding her gifts to the world.

Connection to the Woman With the Pots

Spring 1987
The circle was held in the family room downstairs. There were candles set around in a circle, with an opening. In the center of that circle was a smudge pot, and a Medicine Bag, on a woven saddle blanket. Women sat round the edges of the room. We were invited to enter the circle. We moved around from east to south to west to north and sat in equal distances apart. I sat at the south cardinal point of the circle. The ceremony began, as all traditional ceremonies, do, with the closing of the circle and the lighting of the smudge.

Around the circle, we introduced ourselves and expressed our need from the ceremony. I asked for help, for strength, for courage, and for compassion.

We meditated as the pipe holder opened the pipe. The pipe was passed around the circle four times, words were spoken, and our hearts and minds were opened.

We were invited to a guided meditation to find our answers. Those who were comfortable with this, stayed in the circle. Those who were not, we asked to move to the far west of the room and continue meditating and praying for those of us in the circle.

The leader began speaking. She began preparing us for our journey, gathering us to a place of comfort. Suddenly, I stopped hearing her voice that was guided us to walk forward to a place to meet what we must meet.

The forest was dense, but I was able to struggle under, over, and through the low brush and downfall. I became more and more aware of the sounds of the forest, of a lightning, of a warm quilt of green warming shadows of the forest. I walked on, as if I knew where I needed to be.

Time was of no interest nor of any importance. It felt like a long journey.

Suddenly, I came to a high-cliffed, narrow valley. I continued out of the forest and towards a small green knoll just before the entrance of the canyon. It was like the painted mountains, with waves of rock of different colors on the canyon cliffs. I felt no angst.
Jut at the top of the knoll, the grass led to dry dusted path that led into a narrow crevice. I could touch the sides of both walls, if I spread my arms out wide enough. I was mesmerized by the beauty of the pinks, salmon-colored walls and the beautiful shadow of warmth I was enfolded by. I walked on in, leisurely because this was all new to me. I had never been in such a beautiful place.

I came to a curve and through that curve was an opening into a flat are, with a rise in the center. It was like a beautiful bowl of warm peach/pink glow. On the far side, maybe ten feet, was another narrowing that led back into the curve of canyon walls, just as narrow as where I came through.

I leaned to peer in to see if I should go in. As I leaned forward, I saw a deeper brown shadow tracing the curved wall of the crevice in front of me. Slowly, a man led a painted horse out through the opening.

His horse was led by a grass-braided halter around just the nose. A single braid looped to his hand. The horse was white with brown splotches. A paint.

The man was dark-skinned. His hair was deep brown. He wore a red tie around his forehead, like a bandana, but the ends of the tie were in a knot that was wrapped over itself and the ends dropped down to the base of his neck. He was, probably, in his fifties but his hair was still dark.

He wore a red light cotton tunic-typed shit, a ribbon shirt, without the ribbons. He wore a woven tie around his waist. His pants were buckskin and were loose at the ankle. He was barefooted. I did not recognize his outfit nor short-chopped hair that was straight at shoulder length. It did not seem to matter that I knew.

He never spoke. His eyes were the warmest deepest brown I have ever seen. They were big eyes, wide and sparkling with a light that came down in a strand from above the cliffs around the bowl of the spot we stood. I felt no need to speak. I felt loved. I felt held. I felt total peace.

After some time, I heard the voice of the leader calling me. I did not want to leave, but he turned and led his horse back through the curved entrance and out of sight. I heard my name called again and was made to turn back and go back to whence I came. I did not want to leave.

The trip back went very quickly. At once, I was sitting in the circle. Others had already left the circle. I was the last. I was told to go and sit back on the padded bench at the south end of the room. Each of us that had been in the circle were to sit in the same position but outside the circle. The pipe was put away. The smudge was put in a cloth for currying. The candles were snuffed out and we sat in silence for some time. The leader, looked at each of us. I guess she went around the circle in the order in which we had completed her journey, because I was the last. She looked around me, through me.

“Carol, you have brought someone back to us.” I was startled and looked behind me at the wall, just a couple of feet from my back. “He wants us to make you believe that you met him. He says you will feel the warmth of his hand on your back. Feel it and know it to be there. He is standing just to the right, behind you. He says that he has always been there. He wants you to know he will always brace your back. He wants you to know he is your guide, but he will never lead you. He says you know where to go and he will back you up while you do what you must do. He says you have reborn by entering the canyon, meeting in the womb of the canyon and exiting. He tells you your birth mother sent him here. He says he will always be with you.”

I wept.

The next day, I had to know what tribe he was from. The man had looked Navajo, or south western. I went down into the University shelves, in the Native Studies area and spent hours searching books. I took a break and went up to the atrium for coffee. There I met the dean of native education, my friend, my spiritual mentor, Dr. Dupres, a Nakota Elder and Medicine man. I told him of my experience the night before. He thought for a few moments then told me to go to a certain place, in a certain area of the library ( not the Native Education area) He told me to count down five shelves , then he told me to divide the last shelf in quarters and on the south wall of shelves would be my book. I returned to the library. I followed his directions. A book was partially forward in the smooth straight-lined row of books. It was a large thin book. I pulled it out and it fell open to a page. There, exactly, was the costume. Arapaho.
To this day, I often feel a warmth on my back. I know that warmth to be his hand.

Dec. 12. 05

Often I feel a warm spot on my back, my neck, my legs, and sometimes on my groin. iI is like a hot spot. Sometimes I have thought it to be all a part of early and interim menopause. But tonight I know differently.
This evening, with the medicine man, I spoke of the pots, the dream, the women of the pots and said I did not know why I would be so connected to the pot-makers. I said, I felt like they needed to be filled…or, perhaps, was it emptied???? Gary said, “Did you know that when the people of the pots moved, they broke all their pots into shards? They would make new ones when they found their new place to live.
I have had an epiphany.
The dream came when it was time for me to leave the north. I did not leave when I should have, and I became ill. The less I listened, the more ill I became. My work was done, my home was no longer the north. I needed to move south.
Now, I am seeing more of the Woman with the pots. I am drawing them, writing about them, making them. It is almost urgent. I am where I am supposed to be.

1.84 My mind enjoys the way I express love

Once upon a childhood, my belief in love got lost
in the shuffle and scuffle. It had too. I had no choice.
I was unworthy and wanting and love turned
his eye from me, for the time it takes, for moth
to burn to death against the batted porch light.
Teenaged years were lonely, since I was in charge
and careful and cautious and, yes, perhaps cruel.
But, I always recognized that longing, in other sunken eyes
and hollow cheeks from sucking and holding one’s breath.
My children came to live and I made sure they thought
I could kiss their hurts and make bad things go away,
and I thought they would know that I was love,
until I feel hard against the pain of my daughter’s sharp elbows.
I could not save her nor could I save myself,
but in some hallowed ways, I found a gift.

I never learned from my mistakes, but I could make sure
no one else wandered those same dark , unknown paths
where the kind of love I needed did not hold my hand.
I set out to love the world, one wounded child at a time.
In loving one one, I began to love myself.
The more I believed in them, the more they believed in me.
And I was gifted with a knowledge that it is not lonely,
if someone else is there to hold your hand, and heart.

I saw the love of god. He was in the eyes of the children
who came to me with sobs in their voices and sorrow on their breasts.
He was in the notes scribbled and left beneath the blotter of my desk.
His love sat with me in the ICU when He moved my mouth
to speak the words that lifted the cotton of a coma from a beloved youth
who had given up and wanted out, from a loveless place.
Love was with this boy turned man, when he lived to be a Youth Counselor
at his own Youth Correctional Camp. Love was sitting at the side
of the road with me when Cheryl jumped in front of a greyhound
for want and lack of love from those she most needed it from.

Oh, love, you have so many faces in the places I have been.
The more I gave, the more received, the more I had to give.
No matter what child held it, in a palm of crusted dirt,
if it was passed back into mine, its worth was more
than diamonds, homes, or memories that I could have long amassed.
It was the love of the least of these, that taught me love
and in that love, I have been blessed, with dirtied heads
upon my breast, a heavy hand upon my shoulder,
a snotted nose rubbed on my dress. For this I would not trade
all the gold nor all the gifts, I could have, would have, should have.
For in knowing what I had not, I knew what it was they desired.
My choices now are simply this, to take the hand that reaches out
kiss the face that turns itself to my lips, and touch the untouchable
for it is in this, that god teaches me. Love. Divine and dear, dear Love.

1.81 I will explain how I express love

The birch have bare arms
tattered and torn, they are reaching
but, they are reaching.

How many have died without love?
Fallen and flailing, they wither
dead as stone, for spring.

Linda says, “My god they are beautiful
in the reaching and dying.”

But they are set in their dying, I think,
like summer hopes, petrified.
women, frozen in mid-dream,

hands held out and up
like a prayer and a plea.
My god, but they beg well.

Oh, something, warm us,
or lean us close enough together
that we can touch the sleeves, the sand
the sorrowing foreheads of the frail.

Linda gathers up her torn skirt
and lays on the stones at the feet
of a betrayed tree and I curl to her
to watch the light flicker
through the dry branches.

Blessed be the poets
who find beauty in tattered things
and reach to hold stone-cold hearts
warm, and warming in the reach.